Listening
to last weeks news coming from the Tory Party Conference was depressing and
dispiriting. Rather than write a post,
which will be re-cycled again and again in the months to come, I though I would
write about something else that caught my eye. Last Tuesday, STV began a search
to try and find the 12 best singles/tracks produced by Scottish rock/pop
artistes, which is not as easy as it sounds and has the potential to stray into
controversial grounds.
Showing posts with label Brit-pop. Show all posts
Showing posts with label Brit-pop. Show all posts
Tuesday, 11 October 2011
Wednesday, 18 February 2009
The Annual Brits Blog
It is the time of year where I get to moan about that “national institution” known as the Brits, and the frankly appalling choice of nominees which… well whoever votes for these awards make’s.
Yet this year, the Brits have got it right on a number of fronts. 2008 was the worst year in British music since 1992, and the list of nominees reflects exactly how formulaic British Pop, Rock and Dance has become. Conversely there is more invention and interesting music coming from overseas, and this is reflected in the nominations for the overseas awards.
So ladies and gentlemen, the nominations are…
Best international album AC/DC - Black Ice, Fleet Foxes - Fleet Foxes, Killers - Day & Age, Kings of Leon - Only By The Night & MGMT - Oracular Spectacular
A fascinating list, with arguably Metallica’s Death Magnetic missing from the list. The winner will be King’s of Leon, to cap a fantastic 2008 for them.
Best international male Beck, Neil Diamond, Jay-Z, Kanye West & Seasick Steve
Another strong list, with both Neil Diamond and Jay-Z making stellar performances at Glastonbury. I have a sneaking suspicion that Jay-Z will win here though
Best international female Beyonce, Gabriella Cilmi, Katy Perry. Pink, Santogold
While Beyonce, Gabriella Cilmi, Katy Perry and Pink have sold the records, Santogold has garnered the critical acclaim and I suspect this prize.
Best International Group AC/DC, Fleet Foxes, Killers, Kings of Leon & MGMT
Can’t really see beyond King’s of Leon making it a double here.
Best British breakthrough act Adele, Duffy, Last Shadow Puppets, Scouting For Girls & The Ting Tings
Should The Ting Ting’s, but will either be Duffy (even if she sound’s like a chipmonk) or Scouting for Girls…
Best British male Ian Brown, James Morrison, The Streets, Paul Weller & Will Young
Bit of a strange list, with the exception of James Morrison, all the nominees have had better years and I’m sure there are better candidates. James Morrison will win here.
Best British female Adele, Beth Rowley, Duffy, Estelle & MIA
A very strong list here. I’d love to see either Estelle or MIA win, as their records are inventive and great, but I suspect that Duffy will win because she seams to be something of a media darling just now.
Best British group Coldplay, Elbow, Girls Aloud, Radiohead, Take That
Given a list like this, ideally Elbow should walk away with this award. However it will probably go to Coldplay or GirlsR2skinny…
Best British live act Coldplay, Elbow, Iron Maiden, Scouting For Girls, The Verve
Best British Live act – Scouting For Girls??!!!??? Again one that Coldplay will win, even if Elbow deserve it.
Best British single Adele - Chasing Pavements, Alexandra Burke – Hallelujah, Coldplay - Viva La Vida,Dizzee Rascal/Calvin Harris/Chrome - Dance Wiv Me, Duffy – Mercy, Estelle Ft Kanye West - American Boy, Girls Aloud - The Promise, Leona Lewis - Better in Time, Scouting for Girls – Heartbeat & X Factor Finalists – Hero
Bit mystified at the exclusion of “Great DJ” by the Ting Ting’s, or “Grounds For Divorce” by Elbow. Ideally either Dizzee Rascal/Calvin Harris or Estelle with Kanye West should walk away with this. Both “Dance Wiv Me” and “American Boy” are by some distance the best records on this list. However the Brit’s has form in choosing the rank outsider. Best British single of 2004 was not “Dry Your Eyes” or “Take Me Out” but a Will Young record that wasn’t “Leave Right Now”. It’ll be the track Charlie Brooker described as a record “that will be played at thick people’s funeral’s” – Hallelujah. Let's hope it isn't Girls Aloud's cover of the Blankety Blank theme tune.
Best British Album Coldplay - Viva La Vida or Death And All His Friends, Duffy – Rockferry, Elbow - The Seldom Seen Kid, Radiohead - In Rainbows
& The Ting Tings - We Started Nothing
Ideally this should be won by Elbow, but it will either be Coldplay or Duffy
Critics' Choice: Florence and the Machine
Outstanding Contribution To Music: Pet Shop Boys
The best decision the Brits organisers have made in years, and considering that the likes of Oasis and the Spice Girls have picked up this gong, long overdue too. Best described, by Gary Mullholland in his “This is Uncool: The 500 Greatest Singles Since Punk and Disco” as having the ability to “… be part of the pop parade and somehow separate, some kind of midway point between the differing ambitions of The Smiths, New Order and Duran Duran”
They brought an intelligence to the normal humdrum I love you you love me kind of songs, yet they remain kind of first person. It’s long overdue that the BPI should choose the right band, and in particular this band for this award.
Oh and Neil Tennent is so spot on about X-Factor.
Yet this year, the Brits have got it right on a number of fronts. 2008 was the worst year in British music since 1992, and the list of nominees reflects exactly how formulaic British Pop, Rock and Dance has become. Conversely there is more invention and interesting music coming from overseas, and this is reflected in the nominations for the overseas awards.
So ladies and gentlemen, the nominations are…
Best international album AC/DC - Black Ice, Fleet Foxes - Fleet Foxes, Killers - Day & Age, Kings of Leon - Only By The Night & MGMT - Oracular Spectacular
A fascinating list, with arguably Metallica’s Death Magnetic missing from the list. The winner will be King’s of Leon, to cap a fantastic 2008 for them.
Best international male Beck, Neil Diamond, Jay-Z, Kanye West & Seasick Steve
Another strong list, with both Neil Diamond and Jay-Z making stellar performances at Glastonbury. I have a sneaking suspicion that Jay-Z will win here though
Best international female Beyonce, Gabriella Cilmi, Katy Perry. Pink, Santogold
While Beyonce, Gabriella Cilmi, Katy Perry and Pink have sold the records, Santogold has garnered the critical acclaim and I suspect this prize.
Best International Group AC/DC, Fleet Foxes, Killers, Kings of Leon & MGMT
Can’t really see beyond King’s of Leon making it a double here.
Best British breakthrough act Adele, Duffy, Last Shadow Puppets, Scouting For Girls & The Ting Tings
Should The Ting Ting’s, but will either be Duffy (even if she sound’s like a chipmonk) or Scouting for Girls…
Best British male Ian Brown, James Morrison, The Streets, Paul Weller & Will Young
Bit of a strange list, with the exception of James Morrison, all the nominees have had better years and I’m sure there are better candidates. James Morrison will win here.
Best British female Adele, Beth Rowley, Duffy, Estelle & MIA
A very strong list here. I’d love to see either Estelle or MIA win, as their records are inventive and great, but I suspect that Duffy will win because she seams to be something of a media darling just now.
Best British group Coldplay, Elbow, Girls Aloud, Radiohead, Take That
Given a list like this, ideally Elbow should walk away with this award. However it will probably go to Coldplay or GirlsR2skinny…
Best British live act Coldplay, Elbow, Iron Maiden, Scouting For Girls, The Verve
Best British Live act – Scouting For Girls??!!!??? Again one that Coldplay will win, even if Elbow deserve it.
Best British single Adele - Chasing Pavements, Alexandra Burke – Hallelujah, Coldplay - Viva La Vida,Dizzee Rascal/Calvin Harris/Chrome - Dance Wiv Me, Duffy – Mercy, Estelle Ft Kanye West - American Boy, Girls Aloud - The Promise, Leona Lewis - Better in Time, Scouting for Girls – Heartbeat & X Factor Finalists – Hero
Bit mystified at the exclusion of “Great DJ” by the Ting Ting’s, or “Grounds For Divorce” by Elbow. Ideally either Dizzee Rascal/Calvin Harris or Estelle with Kanye West should walk away with this. Both “Dance Wiv Me” and “American Boy” are by some distance the best records on this list. However the Brit’s has form in choosing the rank outsider. Best British single of 2004 was not “Dry Your Eyes” or “Take Me Out” but a Will Young record that wasn’t “Leave Right Now”. It’ll be the track Charlie Brooker described as a record “that will be played at thick people’s funeral’s” – Hallelujah. Let's hope it isn't Girls Aloud's cover of the Blankety Blank theme tune.
Best British Album Coldplay - Viva La Vida or Death And All His Friends, Duffy – Rockferry, Elbow - The Seldom Seen Kid, Radiohead - In Rainbows
& The Ting Tings - We Started Nothing
Ideally this should be won by Elbow, but it will either be Coldplay or Duffy
Critics' Choice: Florence and the Machine
Outstanding Contribution To Music: Pet Shop Boys
The best decision the Brits organisers have made in years, and considering that the likes of Oasis and the Spice Girls have picked up this gong, long overdue too. Best described, by Gary Mullholland in his “This is Uncool: The 500 Greatest Singles Since Punk and Disco” as having the ability to “… be part of the pop parade and somehow separate, some kind of midway point between the differing ambitions of The Smiths, New Order and Duran Duran”
They brought an intelligence to the normal humdrum I love you you love me kind of songs, yet they remain kind of first person. It’s long overdue that the BPI should choose the right band, and in particular this band for this award.
Oh and Neil Tennent is so spot on about X-Factor.
Wednesday, 26 September 2007
Brit-pop! Lets go!
Hullo.
All the recent nostalgia about 1997, with the anniversary of Labour’s election win, the death of Di, and the devolution referendum, reminded me that Brit-pop kind of died off at the same time. I had written a blog last year, which I posted on my Yahoo page about Britpop, which was my thoughts on a programme celebrating 10 years since the height of Britpop (it was originally shown in August 2005, but I was commenting on the repeat in July 2006). Somehow I had forgotten to re-publish it when I set up this site…
“I was indulging in some channel surfing last Thursday, and came across a repeat of a programme called "The Story of Britpop", which was first shown on the 10th anniversary of the Blur "Country House"/Oasis "Roll With It" thing. It annoyed me.
It annoyed me, in that i disagreed with some of the opinions expressed, but it annoyed me also because it was, in some respects, a rewriting of history.
The view of the presenter, John Harris, was that these were new bands, doing what Brittish bands should be doing, writing about the urban experience in a way that harks back to the 1960's. I thought it was repeating the 60's and 70's, but with a modern twist. We had The Kinks, played by Blur, the Beatles played by Oasis, the stones played by Primal Scream. Glam was represented by both Suede & Pulp.
Pulp were my favourites, they wrote about things in a gritty, realistic kind of a way. Crucially their records also sounded interesting & inventive as well, which is where Britpop fell down for me. Not too many of the bands were that inventive with how they sounded, happy to borrow riffs from the Beatles, Stones and.. er ... Wire. This is why Britpop does not stand up alongside the youthquakes from 1963 (Beatlemania, summer of love), 1976 (Punk, new-wave and New Romanticissm)& 1988 (Acid house followed by Mad-chester), for while the other youthquake movements grew for 2- 3 years afterwards, Britpop alarmingly quickly desended into Dad-rock. For me, the best album of this period, and of the decade, was Dummy by Portishead, re-doing the past by puting a slow, hip hop spin on old school cinematic scores, and BOY can Beth Gibbons sing...
The other thing that got on my wick was the link between the rise of Britpop and New Labour. My theory here is that Britpop died on the 2nd of May 1997 rather that at the Downing Street reception quoted in the programme. I say that because for whatever reason, the main bands in this scene who released records after New Labour got in, released duff records, or records that just stiffed. Be Here Now, This is Hardcore, and the Sleeper one (Pleased to Meet You????) were all thought to be not as good as Morning Glory, Different Class and The It Girl. The first victims of the curse of Blair.
Britpop was dead, long live Bigbeat!
As for the legacy. The fact that most Brittish "indie" bands all sound the same. Nevermind, you know what they say about necessity being the mother of invention. ”
I think what I was trying to say was that Britpop was such a mixed bag, lots of bits were good, but there were some not so good bits to it. At least it killed off the New Wave of New Wave movement.
See you later
All the recent nostalgia about 1997, with the anniversary of Labour’s election win, the death of Di, and the devolution referendum, reminded me that Brit-pop kind of died off at the same time. I had written a blog last year, which I posted on my Yahoo page about Britpop, which was my thoughts on a programme celebrating 10 years since the height of Britpop (it was originally shown in August 2005, but I was commenting on the repeat in July 2006). Somehow I had forgotten to re-publish it when I set up this site…
“I was indulging in some channel surfing last Thursday, and came across a repeat of a programme called "The Story of Britpop", which was first shown on the 10th anniversary of the Blur "Country House"/Oasis "Roll With It" thing. It annoyed me.
It annoyed me, in that i disagreed with some of the opinions expressed, but it annoyed me also because it was, in some respects, a rewriting of history.
The view of the presenter, John Harris, was that these were new bands, doing what Brittish bands should be doing, writing about the urban experience in a way that harks back to the 1960's. I thought it was repeating the 60's and 70's, but with a modern twist. We had The Kinks, played by Blur, the Beatles played by Oasis, the stones played by Primal Scream. Glam was represented by both Suede & Pulp.
Pulp were my favourites, they wrote about things in a gritty, realistic kind of a way. Crucially their records also sounded interesting & inventive as well, which is where Britpop fell down for me. Not too many of the bands were that inventive with how they sounded, happy to borrow riffs from the Beatles, Stones and.. er ... Wire. This is why Britpop does not stand up alongside the youthquakes from 1963 (Beatlemania, summer of love), 1976 (Punk, new-wave and New Romanticissm)& 1988 (Acid house followed by Mad-chester), for while the other youthquake movements grew for 2- 3 years afterwards, Britpop alarmingly quickly desended into Dad-rock. For me, the best album of this period, and of the decade, was Dummy by Portishead, re-doing the past by puting a slow, hip hop spin on old school cinematic scores, and BOY can Beth Gibbons sing...
The other thing that got on my wick was the link between the rise of Britpop and New Labour. My theory here is that Britpop died on the 2nd of May 1997 rather that at the Downing Street reception quoted in the programme. I say that because for whatever reason, the main bands in this scene who released records after New Labour got in, released duff records, or records that just stiffed. Be Here Now, This is Hardcore, and the Sleeper one (Pleased to Meet You????) were all thought to be not as good as Morning Glory, Different Class and The It Girl. The first victims of the curse of Blair.
Britpop was dead, long live Bigbeat!
As for the legacy. The fact that most Brittish "indie" bands all sound the same. Nevermind, you know what they say about necessity being the mother of invention. ”
I think what I was trying to say was that Britpop was such a mixed bag, lots of bits were good, but there were some not so good bits to it. At least it killed off the New Wave of New Wave movement.
See you later
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